New York: Mitchell Kennerley, 1910.
Copyright 1910 Mitchell Kennerley
"YES! I'm better, and the doctor tells me I've escaped once more--as if I cared! . . . And all through the fever you came every day to see me, so my niece says, and brought me the cool drink that drove the heat away and gave me sleep. You thought, I suppose, like the doctor, that I'd escape you, too. Ha! ha! And that you'd never hear old Montes tell what he knows of bull-fighting and you don't. . . . Or perhaps it was kindness; though, why you, a foreigner and a heretic, should be kind to me, God knows. . . . The doctor says I've not got much more life in me, and you're going to leave Spain within the week--within the week, you said, didn't you? . . . Well, then, I don't mind telling you the story.
"Thirty years ago I wanted to tell it often enough, but I knew no one I could trust. After that fit passed, I said to myself I'd never tell it; but as you're going away, I'll tell it to you, if you swear by the Virgin you'll never tell it to any one, at least until I'm dead. You'll swear, will you? easily enough! they all will; but as you're going away, it's much the same. Besides, you can do nothing now; no one can do anything; they never could have done anything. Why, they wouldn't believe you if you told it to them, the fools! . . . My story will teach you more about bull-fighting than Frascuelo or Mazzantini, or--yes, Lagartijo knows. Weren't there Frascuelos and Mazzantinis in my day? Dozens of them. You could pick one Frascuelo out of every thousand labourers if you gave him the training and the practice, and could keep him away from wine and women. But a Montes is not to be found every day, if you searched all Spain for one. . . . 'What's the good of bragging? I never bragged when I was at work: the deed talks--louder than any words. Yet I think, no one has ever done the things I used to do; for I read in a paper once an account of a thing I often did, and the writer said 'twas incredible. Ha, ha! incredible to the Frascuelos and Mazzantinis and the rest, who can kill bulls and are called espadas. Oh, yes! bulls so tired out they can't lift their heads. You didn't guess when you were telling me about Frascuelo and Mazzantini that I knew them. I knew all about both of them before you told me. I know their work, though I've not been within sight of a ring for more than thirty years. . . . Well, I'll tell you my story: I'll tell you my story--if I can."
The old man said the last words as if to himself in a low voice, then sank back in the armchair, and for a time was silent.
Let me say a word or two about myself and the circumstances which led me to seek out Montes.
I had been in Spain off and on a good deal, and from the first had taken a great liking to the people and country; and no one can love Spain and the Spaniards without becoming interested in the bull-ring--the sport is so characteristic of the people, and in itself so enthralling. I set myself to study it in earnest, and when I came to know the best bull-fighters, Frascuelo, Mazzantini, and Lagartijo, and heard them talk of their trade, I began to understand what skill and courage, what qualities of eye and hand and heart, this game demands. Through my love of the sport, I came to hear of Montes. He had left so great a name that thirty years after he had disappeared from the scene of his triumphs, he was still spoken of not infrequently. He would perhaps have been better remembered, had the feats attributed to him been less astounding. It was Frascuelo who told me that Montes was still alive:
"Montes," he cried out in answer to me; "I can tell you about Montes. You mean the old espada who, they say, used to kill the bull in its first rush into the ring--as if any one could do that! I can tell you about him. He must have been clever; for an old aficionado I know, swears no one of us is fit to be in his cuadrilla. Those old fellows are all like that, and I don't believe half they tell about Montes. I dare say he was good enough in his day, but there are just as good men now as ever there were. When I was in Ronda, four years ago, I went to see Montes. He lives out of the town in a nice, little house all alone, with one woman to attend to him, a niece of his, they say. You know he was born in Ronda; but he would not talk to me; he only looked at me and laughed--the little, lame, conceited one!"
"You don't believe then, in spite of what they say, that he was better than Lagartijo or Mazzantini," I asked.
"No, I don't," Frascuelo replied. "Of course, he may have known more than they do; that wouldn't be difficult, for neither of them knows much. Mazzantini is a good matador because he's very tall and strong--that's his advantage. For that, too, the women like him, and when he makes a mistake and has to try again, he gets forgiven. It wasn't so when I began. There were aficionados then, and if you made a mistake they began to jeer, and you were soon pelted out of the ring. Now the crowd knows nothing and is no longer content to follow those who do know. Lagartijo? Oh! he's very quick and daring, and the women and boys like that, too. But he's ignorant: he knows nothing about a bull. Why, he's been wounded oftener in his five years than I in my twenty. And that's a pretty good test. Montes must have been clever; for he's very small and I shouldn't think he was ever very strong, and then he was lame almost from the beginning, I've heard. I've no doubt he could teach the business to Mazzantini or Lagartijo, but that's not saying much. . . . He must have made a lot of money, too, to be able to live on it ever since. And they didn't pay as high then or even when I began as they do now."
So much I knew about Montes when, in the spring of 188-, I rode from Seville to Ronda, fell in love with the place at first sight, and resolved to stop at Polos' inn for some time. Ronda is built, so to speak, upon an island tableland high above the sea-level, and is ringed about by still higher mountain ranges. It is one of the most peculiar and picturesque places in the world. A river runs almost all round it; and the sheer cliffs fall in many places three or four hundred feet, from the tableland to the water, like a wall. No wonder that the Moors held Ronda after they had lost every other foot of ground in Spain. Taking Ronda as my headquarters I made almost daily excursions, chiefly on foot, into the surrounding mountains. On one of these I heard again of Montes. A peasant with whom I had been talking and who was showing me a short cut back to the town, suddenly stopped and said, pointing to a little hut perched on the mountain-shoulder in front of us, "From that house you can see Ronda. That's the house where Montes, the great matador, was born," he added, evidently with some pride. Then and there the conversation with Frascuelo came back to my memory, and I made up my mind to find Montes out and have a talk with him. I went to his house, which lay just outside the town, next day with the alcalde, who introduced me to him and then left us. The first sight of the man interested me. He was short--about five feet three or four, I should think--of well-knit, muscular frame. He seemed to me to have Moorish blood in him. His complexion was very dark and tanned; the features clean-cut; the nose sharp and inquisitive; the nostrils astonishingly mobile; the chin and jaws square, boney--resolute. His hair and thick moustache were snowwhite, and this, together with the deep wrinkles on the forehead and round the eyes and mouth, gave him an appearance of great age. He seemed to move, too, with extreme difficulty, his lameness, as he afterwards told me, being complicated with rheumatism. But when one looked at his eyes, the appearance of age vanished. They were large and brown, usually inexpressive, or rather impenetrable, brooding wells of unknown depths. But when anything excited him, the eyes would suddenly flash to life and become intensely luminous. The effect was startling. It seemed as if all the vast vitality of the man had been transmuted into those wonderful gleaming orbs: they radiated courage, energy, intellect. Then as his mood changed, the light would die out of the eyes, and the old, wizened, wrinkled face would settle down into its ordinary, ill-tempered, wearied expression. There was evidently so much in the man--courage, melancholy, keen intelligence--that in spite of an anything but flattering reception I returned again and again to the house. One day his niece told me that Montes was in bed, and from her description I inferred that he was suffering from an attack of malarial fever. The doctor who attended him, and whom I knew, confirmed this. Naturally enough I did what I could for the sufferer, and so it came about that after his recovery he received me with kindness, and at last made up his mind to tell me the story of his life.
"I may as well begin at the beginning," Montes went on. "I was born near here about sixty years ago. You thought I was older. Don't deny it. I saw the surprise in your face. But it's true: in fact, I am not yet, I think, quite sixty. My father was a peasant with a few acres of land of his own and a cottage."
"I know it," I said. "I saw it the other day."
"Then you may have seen on the further side of the hill the pasture-ground for cattle which was my father's chief possession. It was good pasture; very good. . . . My mother was of a better class than my father; she was the daughter of the chemist in Ronda; she could read and write, and she did read, I remember, whenever she could get the chance, which wasn't often, with her four children to take care of--three girls and a boy--and the house to look after. We all loved her, she was so gentle; besides, she told us wonderful stories; but I think I was her favourite. You see I was the youngest and a boy, and women are like that. My father was hard--at least, I thought him so, and feared rather than loved him; but the girls got on better with him. He never talked to me as he did to them. My mother wanted me to go to school and become a priest; she had taught me to read and write by the time I was six. But my father would not hear of it. 'If you had had three boys and one girl,' I remember him saying to her once, 'you could have done what you liked with this one. But as there is only one boy, he must work and help me.' So by the time I was nine I used to go off down to the pasture and watch the bulls all day long. For though the herd was a small one--only about twenty head--it required to be constantly watched. The cows were attended to in an enclosure close to the house. It was my task to mind the bulls in the lower pasture. Of course I had a pony, for such bulls in Spain are seldom approached, and cannot be driven by a man on foot. I see you don't understand. But it's simple enough. My father's bulls were of good stock, savage and strong; they were always taken for the ring, and he got high prices for them. He generally managed to sell three novillos and two bulls of four years old each year. And there was no bargaining, no trouble; the money was always ready for that class of animal. All day long I sat on my pony, or stood near it, minding the bulls. If any of them strayed too far, I had to go and get him back again. But in the heat of the day they never moved about much, and that time I turned to use by learning the lessons my mother gave me. So a couple of years passed. Of course in that time I got to know our bulls pretty well; but it was a remark of my father which first taught me that each bull had an individual character and first set me to watch them closely. I must have been then about twelve years old; and in that summer I learned more than in the two previous years. My father, though he said nothing to me, must have noticed that I had gained confidence in dealing with the bulls; for one night, when I was in bed, I heard him say to my mother--'The little fellow is as good as a man now.' I was proud of his praise, and from that time on, I set to work to learn everything I could about the bulls.
"By degrees I came to know every one of them --better far than I ever got to know men or women later. Bulls, I found, were just like men, only simpler and kinder; some were good-tempered and honest, others were sulky and cunning. There was a black one which was wild and hot-tempered, but at bottom good, while there was one almost as black, with light horns and flanks, which I never trusted. The other bulls didn't like him. I could see they didn't; they were all afraid of him. He was cunning and suspicious, and never made friends with any of them; he would always eat by himself far away from the others--but he had courage, too; I knew that as well as they did. He was sold that very summer with the black one for the ring in Ronda. One Sunday night, when my father and eldest sister (my mother would never go to los toros) came back from seeing the game in Ronda, they were wild with excitement, and began to tell the mother how one of our bulls had caught the matador and tossed him, and how the chulos could scarcely get the matador away. Then I cried out--'I know; 'twas Judas' (so I had christened him), and as I saw my father's look of surprise I went on confusedly, 'the bull with the white horns I mean. Juan, the black one, wouldn't have been clever enough.' My father only said, 'The boy's right'; but my mother drew me to her and kissed me, as if she were afraid. . . . Poor mother! I think even then she knew or divined something of what came to pass later. . . .
"It was the next summer, I think, that my father first found out how much I knew about the bulls. It happened in this way. There hadn't been much rain in the spring, the pasture, therefore, was thin, and that, of course, made the bulls restless. In the summer the weather was unsettled--spells of heat and then thunderstorms--till the animals became very excitable. One day, there was thunder in the air I remember, they gave me a great deal of trouble and that annoyed me, for I wanted to read. I had got to a very interesting tale in the story-book my mother had given me on the day our bulls were sold. The story was about Cervantes--ah, you know who I mean, the great writer. Well, he was a great man, too. The story told how he escaped from the prison over there in Algiers and got back to Cadiz, and how a widow came to him to find out if he knew her son, who was also a slave of the Moors. And when she heard that Cervantes had seen her son working in chains, she bemoaned her wretchedness and ill-fortune, till the heart of the great man melted with pity, and he said to her, 'Come, mother, be hopeful, in one month your son shall be here with you.' And then the book told how Cervantes went back to slavery, and how glad the Bey was to get him again, for he was very clever; and how he asked the Bey, as he had returned of his free will, to send the widow's son home in his stead; and the Bey consented. That Cervantes was a man! . . . Well, I was reading the story, and I believed every word of it, as I do still, for no ordinary person could invent that sort of tale; and I grew very much excited and wanted to know all about Cervantes. But as I could only read slowly and with difficulty, I was afraid the sun would go down before I could get to the end. While I was reading as hard as ever I could, my father came down on foot and caught me. He hated to see me reading--I don't know why; and he was angry and struck at me. As I avoided the blow and got away from him, he pulled up the picket line, and got on my pony to drive one of the bulls back to the herd. I have thought since, he must have been very much annoyed before he came down and caught me. For though he knew a good deal about bulls, he didn't show it then. My pony was too weak to carry him easily, yet he acted as if he had been well mounted. For as I said, the bulls were hungry and excited, and my father should have seen this and driven the bull back quietly and with great patience. But no; he wouldn't let him feed even for a moment. At last the bull turned on him. My father held the goad fairly against his neck, but the bull came on just the same, and the pony could scarcely get out of the way in time. In a moment the bull turned and prepared to rush at him again. My father sat still on the little pony and held the goad; but I knew that was no use; he knew it too; but he was angry and wouldn't give in. At once I ran in between him and the bull, and then called to the bull, and went slowly up to him where he was shaking his head and pawing the ground. He was very angry, but he knew the difference between us quite well, and he let me come close to him without rushing at me, and then just shook his head to show me he was still angry, and soon began to feed quietly. In a moment or two I left him and went back to my father. He had got off the pony and was white and trembling, and he said,
"'Are you hurt?'
"And I said laughing, 'No: he didn't want to hurt me. He was only showing off his temper.'
"And my father said, 'There's not a man in all Spain that could have done that! You know more than I do--more than anybody.'
"After that he let me do as I liked, and the next two years were very happy ones. First came the marriage of my second sister; then the eldest one was married, and they were both good matches. And the bulls sold well, and my father had less to do, as I could attend to the whole herd by myself. Those were two good years. My mother seemed to love me more and more every day, or I suppose I noticed it more, and she praised me for doing the lessons she gave me; and I had more and more time to study as the herd got to know me better and better.
"My only trouble was that I had never seen the bulls in the ring. But when I found my father was willing to take me, and 'twas mother who wanted me not to go, I put up with that, too, and said nothing, for I loved her greatly. Then of a sudden came the sorrow. It was in the late winter, just before my fifteenth birthday. I was born in March, I think. In January my mother caught cold, and as she grew worse my father fetched the doctor, and then her father and mother came to see her, but nothing did any good. In April she died. I wanted to die too.
"After her death my father took to grumbling about the food and house and everything. Nothing my sister could do was right. I believe she only married in the summer because she couldn't stand his constant blame. At any rate she married badly, a good-for-nothing who had twice her years, and who ill-treated her continually. A month or two later my father, who must have been fifty, married again, a young woman, a labourer's daughter without a duro. He told me he was going to do it, for the house needed a woman. I suppose he was right. But I was too young then to take such things into consideration, and I had loved my mother. When I saw his new wife I did not like her, and we did not get on well together.
"Before this, however, early in the summer that followed the death of my mother, I went for the first time to see a bull-fight. My father wanted me to go, and my sister, too; so I went. I shall never forget that day. The chulos made me laugh, they skipped about so and took such extra-good care of themselves; but the banderilleros interested me. Their work required skill and courage, that I saw at once; but after they had planted the banderillas twice, I knew how it was done, and felt I could do it just as well or better. For the third or fourth banderillero made a mistake! He didn't even know with which horn the bull was going to strike; so he got frightened, and did not plant the banderillas fairly--in fact, one was on the side of the shoulder and the other didn't even stick in. As for the picadores, they didn't interest me at all. There was no skill or knowledge in their work. It was for the crowd, who liked to see blood and who understand nothing. Then came the turn of the espada. Ah! that seemed splendid to me. He knew his work I thought at first, and his work evidently required knowledge, skill, courage, strength--everything. I was intensely excited, and when the bull, struck to the heart, fell prone on his knees, and the blood gushed from his nose and mouth, I cheered and cheered till I was hoarse. But before the games were over, that very first day, I saw more than one matador make a mistake. At first I thought I must be wrong, but soon the event showed I was right. For the matador hadn't even got the bull to stand square when he tried his stroke and failed. You don't know what that means--'to stand square.'"
"I do partly," I replied, "but I don't see the reason of it. Will you explain?"
"It's very simple," Montes answered. "So long as the bull's standing with one hoof in front of the other, his shoulder-blades almost meet, just as when you throw your arms back and your chest out; they don't meet, of course, but the space between them is not as regular, and, therefore, not as large as it is when their front hooves are square. The space between the shoulder-blades is none too large at any time, for you have to strike with force to drive the sword through the inch-thick hide, and through a foot of muscle, sinew, and flesh besides to the heart. Nor is the stroke a straight one. Then, too, there's always the backbone to avoid. And the space between the backbone and the nearest thick gristle of the shoulder-blade is never more than an inch and a half. So if you narrow this space by even half an inch you increase your difficulty immensely. And that's not your object. Well, all this I've been telling you, I divined at once. Therefore, when I saw the bull wasn't standing quite square I knew the matador was either a bungler or else very clever and strong indeed. In a moment he proved himself to be a bungler, for his sword turned on the shoulder-blade, and the bull, throwing up his head, almost caught him on his horns. Then I hissed and cried, 'Shame!' And the people stared at me. That butcher tried five times before he killed the bull, and at last even the most ignorant of the spectators knew I had been right in hissing him. He was one of your Mazzantinis, I suppose."
"Oh, no!" I replied, "I've seen Mazzantini try twice, but never five times. That's too much!"
"Well," Montes continued quietly, "the man who tries once and fails ought never to be allowed in a ring again. But to go on. That first day taught me I could be an espada. The only doubt in my mind was in regard to the nature of the bulls. Should I be able to understand new bulls--bulls, too, from different herds and of different race, as well as I understood our bulls? Going home that evening I tried to talk to my father, but he thought the sport had been very good, and when I wanted to show him the mistakes the matadores had made, he laughed at me, and, taking hold of my arm, he said, 'Here's where you need the gristle before you could kill a bull with a sword, even if he were tied for you.' My father was very proud of his size and strength, but what he said had reason in it, and made me doubt myself. Then he talked about the gains of the matadores. A fortune, he said, was given for a single day's work. Even the pay of the chulos seemed to me to be extravagant, and a banderillero got enough to make one rich for life. That night I thought over all I had seen and heard, and fell asleep and dreamt I was an espada. the best in Spain, and rich, and married to a lovely girl with golden hair--as boys do dream.
"Next day I set myself to practice with our bulls. First I teased one till he grew angry and rushed at me; then, as a chulo, I stepped aside. And after I had practised this several times, I began to try to move aside as late as possible and only just as far as was needful; for I soon found out the play of horn of every bull we had. The older the bull the heavier his neck and shoulders become, and, therefore, the sweep of horns in an old bull is much smaller than a young one's. Before the first morning's sport was over I knew that with our bulls at any rate I could beat any chulo I had seen the day before. Then I set myself to quiet the bulls, which was a little difficult, and after I had succeeded I went back to my pony to read and dream. Next day I played at being a banderillero, and found out at once that my knowledge of the animal was all important. For I knew always on which side to move to avoid the bull's rush. I knew how he meant to strike by the way he put his head down. To plant the banderillas perfectly would have been child's play to me, at least with our bulls. The matador's work was harder to practise. I had no sword; besides, the bull I wished to pretend to kill, was not tired and wouldn't keep quiet. Yet I went on trying. The game had a fascination for me. A few days later, provided with a makeshift red capa, I got a bull far away from the others. Then I played with him till he was tired out. First I played as a chulo, and avoided his rushes by an inch or two only; then, as banderillero, I escaped his stroke, and, as I did so, struck his neck with two sticks. When he was tired I approached him with the capa and found I could make him do what I pleased, stand crooked or square in a moment, just as I liked. For I learned at once that as a rule the bull rushes at the capa and not at the man who holds it. Some bulls, however, are clever enough to charge the man. For weeks I kept up this game, till one day my father expressed his surprise at the thin and wretched appearance of the bulls. No wonder! The pasture ground had been a ring to them and me for many a week.
"After this I had to play matador--the only part which had any interest for me--without first tiring them. Then came a long series of new experiences, which in time made me what I was, a real espada, but which I can scarcely describe to you.
"For power over wild animals comes to a man, as it were, by leaps and bounds. Of a sudden one finds he can make a bull do something which the day before he could not make him do. It is all a matter of intimate knowledge of the nature of the animal. Just as the shepherd, as I've been told, knows the face of each sheep in a flock of a thousand, though I can see no difference between the faces of sheep, which are all alike stupid to me, so I came to know bulls, with a complete understanding of the nature and temper of each one. It's just because I can't tell you how I acquired this part of my knowledge that I was so long-winded in explaining to you my first steps. What I knew more than I have told you, will appear as I go on with my story, and that you must believe or disbelieve as you think best."
"Oh," I cried, "you've explained everything so clearly, and thrown light on so many things I didn't understand, that I shall believe whatever you tell me."
Old Montes went on as if he hadn't heard my protestation:
"The next three years were intolerable to me: my stepmother repaid my dislike with interest and found a hundred ways of making me uncomfortable, without doing anything I could complain of and get altered. In the spring of my nineteenth year I told my father I intended to go to Madrid and become an espada. When he found he couldn't induce me to stay, he said I might go. We parted, and I walked to Seville; there I did odd jobs for a few weeks in connection with the bull-ring, such as feeding the bulls, helping to separate them, and so forth; and there I made an acquaintance who was afterwards a friend. Juan Valdera was one of the cuadrilla of Girvalda, a matador of the ordinary type. Juan was from Estramadura, and we could scarcely understand each other at first; but he was kindly and careless and I took a great liking to him. He was a fine man; tall, strong and handsome, with short, dark, wavy hair and dark moustache, and great black eyes. He liked me, I suppose, because I admired him and because I never wearied of hearing him tell of his conquests among women and even great ladies. Of course I told him I wished to enter the ring, and he promised to help me to get a place in Madrid where he knew many of the officials. 'You may do well with the capa,' I remember he said condescendingly, 'or even as a banderillero, but you'll never go further. You see, to be an espada, as I intend to be, you must have height and strength,' and he stretched his fine figure as he spoke. I acquiesced humbly enough. I felt that perhaps he and my father were right, and I didn't know whether I should ever have strength enough for the task of an espada. To be brief, I saved a little money, and managed to get to Madrid late in the year, too late for the bull-ring. Thinking over the matter I resolved to get work in a blacksmith's shop, and at length succeeded. As I had thought, the labour strengthened me greatly, and in the spring of my twentieth year, by Juan's help, I got employed on trial one Sunday as a chulo.
* * * * *
"I suppose," Montes went on, after a pause, "I ought to have been excited and nervous on that first Sunday--but I wasn't; I was only eager to do well in order to get engaged for the season. The blacksmith, Antonio, whom I had worked with, had advanced me the money for my costume, and Juan had taken me to a tailor and got the things made, and what I owed Antonio and the tailor weighed on me. Well, on that Sunday I was a failure at first. I went in the procession with the rest, then with the others I fluttered my capa; but when the bull rushed at me, instead of running away, like the rest, I wrapped my capa about me and, just as his horns were touching me, I moved aside--not half a pace. The spectators cheered me, it is true, and I thought I had done very well, until Juan came over to me, and said:
"'You mustn't show off like that. First of all, you'll get killed if you play that game; and then you fellows with the capa are there to make the bull run about, to tire him out so that we matadores may kill him.'
"That was my first lesson in professional jealousy. After that I ran about like the rest, but without much heart in the sport. It seemed to me stupid. Besides, from Juan's anger and contempt, I felt sure I shouldn't get a permanent engagement. Bit by bit, however, my spirits rose again with the exercise, and when the fifth or sixth bull came in I resolved to make him run. It was a good, honest bull; I saw that at once; he stood in the middle of the ring, excited, but not angry, in spite of the waving of the capas all round him. As soon as my turn came, I ran forward, nearer to him than the others had considered safe, and waved the challenge with my capa. At once he rushed at it, and I gave him a long run, half round the circle, and ended it by stopping and letting him toss the capa which I held not quite at arm's length from my body. As I did this I didn't turn round to face him. I knew he'd toss the capa and not me, but the crowd rose and cheered as if the thing were extraordinary. Then I felt sure I should be engaged, and I was perfectly happy. Only Juan said to me a few minutes later:
"'You'll be killed, my boy, one of these fine days if you try those games. Your life will be a short one if you begin by trusting a bull.'
"But I didn't mind what he said. I thought he meant it as a friendly warning, and I was anxious only to get permanently engaged. And sure enough, as soon as the games were over, I was sent for by the director. He was kind to me, and asked me where I had played before. I told him that was my first trial.
"'Ah!' he said, turning to a gentleman who was with him, 'I knew it, Señor Duque; such courage always comes from--want of experience, let me call it.'
"'No,' replied the gentleman, whom I afterwards knew as the Duke of Medina Celi, the best aficionado, and one of the noblest men in Spain; 'I'm not so sure of that. Why,' he went on, speaking now to me, 'did you keep your back turned to the bull?'
"'Señor,' I answered, ''twas an honest bull, and not angry, and I knew he'd toss the capa without paying any attention to me.'
"'Well,' said the Duke, 'if you know that much, and aren't afraid to risk your life on your knowledge, you'll go far. I must have a talk with you some day, when I've more time; you can come and see me. Send in your name; I shall remember.' And as he said this, he nodded to me and waved his hand to the director, and went away.
"Then and there the director made me sign an engagement for the season, and gave me one hundred duros as earnest money in advance of my pay. What an evening we had after that! Juan, the tailor, Antonio the blacksmith, and I. How glad and proud I was to be able to pay my debts and still have sixty duros in my pocket after entertaining my friends. If Juan had not hurt me every now and then by the way he talked of my foolhardiness, I should have told them all I knew; but I didn't. I only said I was engaged at a salary of a hundred duros a month.
"'What!' said Juan. 'Come, tell the truth; make it fifty.'
"'No,' I said; 'it was a hundred,' and I pulled out the money.
"'Well,' he said, 'that only shows what it is to be small and young and foolhardy! Here am I, after six years' experience, second, too, in the cuadrilla of Girvalda, and I'm not getting much more than that.'
Still, in spite of such little drawbacks, in spite, too, of the fact that Juan had to go away early, to meet 'a lovely creature,' as he said, that evening was one of the happiest I ever spent.
"All that summer through I worked every Sunday, and grew in favour with the Madrileños, and with the Madrileñas, though not with these in Juan's way. I was timid and young; besides, I had a picture of a woman in my mind, and I saw no one like it. So I went on studying the bulls, learning all I could about the different breeds, and watching them in the ring. Then I sent money to my sister and to my father, and was happy.
"In the winter I was a good deal with Antonio; every day I did a spell of work in his shop to strengthen myself, and he, I think, got to know that I intended to become an espada. At any rate, after my first performance with the capa, he believed I could do whatever I wished. He used often to say God had given him strength and me brains, and he only wished he could exchange some of his muscle for some of my wits. Antonio was not very bright, but he was good-tempered, kind, and hard-working, the only friend I ever had. May Our Lady give his soul rest!
"Next spring when the director sent for me, I said that I wanted to work as a banderillero. He seemed to be surprised, told me I was a favourite with the capa, and had better stick to that for another season at least. But I was firm. Then he asked me whether I had ever used the banderillas and where? The director always believed I had been employed in some other ring before I came to Madrid. I told him I was confident I could do the work. 'Besides,' I added, 'I want more pay,' which was an untruth; but the argument seemed to him decisive, and he engaged me at two hundred duros a month, under the condition that, if the spectators wished it, I should work now and then with the capa as well. It didn't take me long to show the aficionados in Madrid that I was as good with the banderillas as I was with the capa. I could plant them when and where I liked. For in this season I found I could make the bull do almost anything. You know how the banderillero has to excite the bull to charge him before he can plant the darts. He does that to make the bull lower his head well, and he runs towards the bull partly so that the bull may not know when to toss his head up, partly because he can throw himself aside more easily when he's running fairly fast. Well, again and again I made the bull lower his head and then walked to him, planted the banderillas, and as he struck upwards swayed aside just enough to avoid the blow. That was an infinitely more difficult feat than anything I had ever done with the capa, and it gave me reputation among the aficionados and also with the espadas; but the ignorant herd of spectators preferred my trick with the capa. So the season came and went. I had many a carouse with Juan, and gave him money from time to time, because women always made him spend more than he got. From that time, too, I gave my sister fifty duros a month, and my father fifty. For before the season was half over my pay was raised to four hundred duros a month, and my name was always put on the bills. In fact I was rich and a favourite of the public.
"So time went on, and my third season in Madrid began, and with it came the beginning of the end. Never was any one more absolutely content than I when we were told los toros would begin in a fortnight. On the first Sunday I was walking carelessly in the procession beside Juan, though I could have been next to the espadas, had I wished, when he suddenly nudged me, saying:
"'Look up! there on the second tier; there's a face for you.'
"I looked up, and saw a girl with the face of my dreams, only much more beautiful. I suppose I must have stopped, for Juan pulled me by the arm crying: 'You're moonstruck, man; come on!' and on I went--lovestruck in heart and brain and body. What a face it was! The golden hair framed it like a picture, but the great eyes were hazel, and the lips scarlet, and she wore the mantilla like a queen. I moved forward like a man in a dream, conscious of nothing that went on round me, till I heard Juan say:
"'She's looking at us. She knows we've noticed her. All right, pretty one! we'll make friends afterwards.'
"'But how?' I asked, stupidly.
"'How!' he replied, mockingly. 'I'll just send some one to find out who she is, and then you can send her a box for next Sunday, and pray for her acquaintance, and the thing's done. I suppose that's her mother sitting behind her,' he went on. 'I wonder if the other girl next to her is the sister. She's as good-looking as the fairhaired one, and easier to win, I'd bet. Strange haw all the timid ones take to me.' And again he looked up.
"I said nothing; nor did I look up at the place where she was sitting; but I worked that day as I had never worked before. Then, for the first time, I did something that has never been done since by any one. The first bull was honest and kindly: I knew the sort. So, when the people began to call for El Pequeño (the little fellow)--that was the nickname they had given me--I took up a capa, and, when the bull chased me, I stopped suddenly, faced him, and threw the capa round me. He was within ten paces of me before he saw I had stopped, and he began to stop; but before he came to a standstill his horns were within a foot of me. He tossed his head once or twice as if he would strike me, and then went off. The people cheered and cheered as if they would never cease. Then I looked up at her. She must have been watching me, for she took the red rose from her hair and threw it into the ring towards me, crying, 'Bien! Muy bien! El Pequeño!'
"As I picked up the rose, pressed it to my lips, and hid it in my breast, I realized all that life holds of triumphant joy! . . . Then I made up my mind to show what I could do, and everything I did that day seemed to delight the public. At last, as I planted the banderillas, standing in front of the bull, and he tried twice in quick succession to strike me and failed, the crowd cheered and cheered and cheered, so that, even when I went away, after bowing and stood among my fellows, ten minutes passed before they would let the game go on. I didn't look up again. No! I wanted to keep the memory of what she looked like when she threw me the rose.
"After the games were over, I met her, that same evening. Juan had brought it about, and he talked easily enough to the mother and daughter and niece, while I listened. We all went, I remember, to a restaurant in the Puerta del Sol, and ate and drank together. I said little or nothing the whole evening. The mother told us they had just come from the north: Alvareda was the family name; her daughter was Clemencia, the niece, Liberata. I heard everything in a sort of fever of hot pulses and cold fits of humility, while Juan told them all about himself, and what he meant to do and to be. While Clemencia listened to him, I took my fill of gazing at her. At last Juan invited them all to los toros on the following Sunday, and promised them the best palco in the ring. He found out, too, where they lived, in a little street running parallel to the Alcala, and assured them of our visit within the week. Then they left, and as they went out of the door Liberata looked at Juan, while Clemencia chatted with him and teased him.
"'That's all right,' said Juan, turning to me when they were gone, 'and I don't know which is the more taking, the niece or Clemencia. Perhaps the niece; she looks at one so appealingly; and those who talk so with their eyes are always the best. I wonder have they any money. One might do worse than either with a good portion.'
"'Is that your real opinion?' I asked hesitatingly.
"'Yes,' he answered; 'why?'
"'Because, in that case leave Clemencia to me. Of course you could win her if you wanted to. But it makes no difference to you, and to me all the difference. If I cannot marry her, I shall never marry.'
"'Gesu!' he cried, 'how fast you go, but I'd do more than that for you, Montes; and besides, the niece really pleases me better.'
"So the matter was settled between us.
"Now, if I could tell you all that happened, I would. But much escaped me at the time that I afterwards remembered, and many things that then seemed to me to be as sure as a straight stroke, have since grown confused. I only know that Juan and I met them often, and that Juan paid court to the niece, while I from time to time talked timidly to Clemencia.
"One Sunday after another came and went, and we grew to know each other well. Clemencia did not chatter like other women: I liked her the better for it, and when I came to know she was very proud, I liked that, too. She charmed me; why? I can scarcely tell. I saw her faults gradually, but even her faults appeared to me fascinating. Her pride was insensate. I remember one Sunday afternoon after the games, I happened to go into a restaurant, and found her sitting there with her mother. I was in costume and carried in my hand a great nosegay of roses that a lady had thrown me in the ring. Of course as soon as I saw Clemencia I went over to her and--you know it is the privilege of the matadores in Spain, even if they do not know the lady--taking a rose from the bunch I presented it to her as the fairest of the fair. Coming from the cold North, she didn't know the custom and scarcely seemed pleased. When I explained it to her, she exclaimed that it was monstrous; she'd never allow a mere matador to take such a liberty unless she knew and liked him. Juan expostulated with her laughingly; I said nothing; I knew what qualities our work required, and didn't think it needed any defence. I believe in that first season, I came to see that her name Clemencia wasn't very appropriate. At any rate she had courage and pride, that was certain. Very early in our friendship she wanted to know why I didn't become an espada.
"'A man without ambition,' she said, 'was like a woman without beauty.'
"I laughed at this and told her my ambition was to do my work well, and advancement was sure to follow in due course. Love of her seemed to have killed ambition in me. But no. She wouldn't rest content in spite of Juan's telling her my position already was more brilliant than that of most of the espadas.
"'He does things with the capa and the banderillas which no espada in all Spain would care to imitate. And that's position enough. Besides, to be an espada requires height and strength.'
"As he said this she seemed to be convinced, but it annoyed me a little, and afterwards as we walked together, I said to her,
"'If you want to see me work as an espada, you shall.'
"'Oh, no!' she answered half carelessly; 'if you can't do it, as Juan says, why should you try? to fail is worse than to lack ambition.'
"'Well,' I answered, 'you shall see.'
"And then I took my courage in both hands and went on:
"'If you cared for me I should be the first espada in the world next season.'
"She turned and looked at me curiously and said,
"'Of course I'd wish it if you could do it.'
"And I said, 'See, I love you as the priest loves the Virgin; tell me to be an espada and I shall be one for the sake of your love.'
"'That's what all men say, but love doesn't make a man tall and strong.'
"'No; nor do size and strength take the place of heart and head. Do you love me? That's the question.'
"'I like you, yes. But love--love, they say, comes after marriage."
"'Will you marry me?'
"'Become an espada and then ask me again,' she answered coquettishly.
"The very next day I went to see the Duke of Medina Celi; the servants would scarcely let me pass till they heard my name and that the Duke had asked me to come. He received me kindly. I told him what I wanted.
"'Have you ever used the sword?' he asked in surprise. 'Can you do it? You see we don't want to lose the best man with capa and banderillas ever known, to get another second-class espada.'
"And I answered him,
"'Señor Duque, I have done better with the banderillas than I could with the capa. I shall do better with the espada than with the banderillas.'
"'You little fiend!' he laughed, 'I believe you will, though it is unheard of to become an espada without training; but now for the means. All the espadas are engaged; it'll be difficult. Let me see. . . . The Queen has asked me to superintend the sports early in July, and then I shall give you your chance. Will that do? In the meantime, astonish us all with capa and banderillas, so that men may not think me mad when I put your name first on the bill.'
"I thanked him from my heart, as was his due, and after a little more talk I went away to tell Clemencia the news. She only said:
"'I'm glad. Now you'll get Juan to help you.'
"I stared at her.
"'Yes!' she went on, a little impatiently; 'he has been taught the work; he's sure to be able to show you a great deal.'
"I said not a word. She was sincere, I saw, but then she came from the North and knew nothing. I said to myself, 'That's how women are!'
"She continued, 'Of course you're clever with the capa and banderillas, and now you must do more than ever, as the Duke said, to deserve your chance.' And then she asked carelessly, 'Couldn't you bring the Duke and introduce him to us some time or other? I should like to thank him.'
"And I, thinking it meant our betrothal, was glad, and promised. And I remember I did bring him once to the box and he was kind in a way, but not cordial as he always was when alone with me, and he told Clemencia that I'd go very far, and that any woman would be lucky to get me for a husband, and so on. And after a little while he went away. But Clemencia was angry with him and said he put on airs, and, indeed, I had never seen him so cold and reserved; I could say little or nothing in his defence.
"Well, all that May I worked as I had never done. The Director told me he knew I was to use the espada on the first Sunday in July, and he seemed to be glad; and one or two of the best espadas came to me and said they'd heard the news and should be glad to welcome me among them. All this excited me, and I did better and better. I used to pick out the old prints of Goya, the great painter--you know his works are in the Prado--and do everything the old matadores did, and invent new things. But nothing 'took' like my trick with the capa. One Sunday, I remember, I had done it with six bulls, one after the other, and the people cheered and cheered. But the seventh was a bad bull, and, of course, I didn't do it. And afterwards Clemencia asked me why I didn't, and I told her. For you see I didn't know then that women rate high what they don't understand. Mystery is everything to them. As if the explanation of such a thing makes it any easier. A man wins great battles by seizing the right moment and using it--the explanation is simple. One must be great in order to know the moment, that's all. But women don't see that it is only small men who exaggerate the difficulties of their work. Great men find their work easy and say so, and, therefore, you'll find that women underrate great men and overpraise small ones. Clemencia really thought I ought to learn the espada's work from Juan. Ah! women are strange creatures. . . . Well, after that Sunday she was always bothering me to do the capa trick with every bull.
If you don't,' she used to say, 'you won't get the chance of being an espada.' And when she saw I laughed and paid no attention to her talk, she became more and more obstinate.
If the people get to know you can only do it with some bulls, they won't think much of you. Do it with every bull, then they can't say anything.'
"And I said 'No! and I shouldn't be able to say anything either.'
"'If you love me you will do as I say!'
"And when I didn't do as she wished,--it was madness--she grew cold to me, and sneered at me, and then urged me again, till I half yielded. Really, by that time I hardly knew what I couldn't do, for each day I seemed to get greater power over the bulls. At length a Sunday came, the first, I think in June, or the last in May. Clemencia sat with her mother and cousin in the best palco; I had got it from the Director, who now refused me nothing. I had done my capa trick with three bulls, one after the other, then the fourth came in. As soon as I saw him, I knew he was bad, cunning I mean, and with black rage in the heart of him. The other men stood aside to let me do the trick, but I wouldn't. I ran away like the rest, and let him toss the capa. The people liked me, and so they cheered just the same, thinking I was tired; but suddenly Clemencia called out: 'The capa round the shoulders; the capa trick!' and I looked up at her; and she leaned over the front of the palco, and called out the words again.
"Then rage came into me, rage at her folly and cold heart; I took off my cap to her, and turned and challenged the bull with the capa, and, as he put down his head and rushed, I threw the capa round me and stood still. I did not even look at him. I knew it was no use. He struck me here on the thigh, and I went up into the air. The shock took away my senses. As I came to myself they were carrying me out of the ring, and the people were all standing up; but, as I looked towards the palco, I saw she wasn't standing up: she had a handkerchief before her face. At first I thought she was crying, and I felt well, and longed to say to her, 'It doesn't matter, I'm content;' then she put down the handkerchief and I saw she wasn't crying; there wasn't a tear in her eyes. She seemed surprised merely and shocked. I suppose she thought I could work miracles, or rather she didn't care much whether I was hurt or not. That turned me faint again. I came to myself in my bed, where I spent the next month. The doctor told the Duke of Medina Celi--he had come to see me the same afternoon--that the shock hadn't injured me, but I should be lame always, as the bull's horn had torn the muscles of my thigh from the bone. 'How he didn't bleed to death,' he said, 'is a wonder; now he'll pull through, but no more play with the bulls for him.' I knew better than the doctor, but I said nothing to him, only to the Duke I said: .
"'Señor, a promise is a promise; I shall use the espada in your show in July.'
"And he said, 'Yes, my poor boy, if you wish it, and are able to; but how came you to make such a mistake?'
"'I made no mistake, Señor.'
"'You knew you'd be struck?'
"I nodded. He looked at me for a moment, and then held out his hand. He understood everything I'm sure; but he said nothing to me then.
"Juan came to see me in the evening, and next day Clemencia and her mother. Clemencia was sorry, that I could see, and wanted me to forgive her. As if I had anything to forgive when she stood there so lithe and straight, with her flowerlike face and the appealing eyes. Then came days of pain while the doctors forced the muscles back into their places. Soon I was able to get up, with a crutch, and limp about. As I grew better, Clemencia came seldomer, and when she came, her mother never left the room. I knew what that meant. She had told her mother not to go away; for, though the mother thought no one good enough for her daughter, yet she pitied me, and would have left us alone--sometimes. She had a woman's heart. But no, not once. Then I set myself to get well soon. I would show them all, I said to myself, that a lame Montes was worth more than other men. And I got better, so the doctor said, with surprising speed. . . . One day, towards the end of June, I said to the servant of the Duke--he sent a servant every day to me with fruit and flowers--that I wished greatly to see his master. And the Duke came to see me, the very same day.
"I thanked him first for all his kindness to me, and then asked:
"'Señor, have you put my name on the bills as espada?'
"'No,' he replied; 'you must get well first, and, indeed, if I were in your place, I should not try anything more till next season.'
"And I said, 'Señor Duque, it presses. Believe me, weak as I am, I can use the sword.'
"And he answered my very thought: 'Ah! She thinks you can't. And you want to prove the contrary. I shouldn't take the trouble, if I were you; but there! Don't deceive yourself or me; there is time yet for three or four days: I'll come again to see you, and if you wish to have your chance you shall. I give you my word.' As he left the room I had tears in my eyes; but I was glad, too, and confident: I'd teach the false friends a lesson. Save Antonio, the blacksmith, and some strangers, and the Duke's servant, no one had come near me for more than a week. Three days afterwards I wrote to the Duke asking him to fulfil his promise, and the very next day Juan, Clemencia, and her mother all came to see me together. They all wanted to know what it meant. My name as espada for the next Sunday, they said, was first on the bills placarded all over Madrid, and the Duke had put underneath it--'By special request of H.M. the Queen.' I said nothing but that I was going to work; and I noticed that Clemencia wouldn't meet my eyes.
"What a day that was! That Sunday I mean. The Queen was in her box with the Duke beside her as our procession saluted them, and the great ring was crowded tier on tier, and she was in the best box I could get. But I tried not to think about her. My heart seemed to be frozen. Still I know now that I worked for her even then. When the first bull came in and the capa men played him, the people began to shout for me--'El Pequeño! El Pequeño! El Pequeño!'--and wouldn't let the games go on. So I limped forward in my espada's dress and took a capa from a man and challenged the bull, and he rushed at me--the honest one; I caught his look and knew it was all right, so I threw the capa round me and turned my back upon him. In one flash I saw the people rise in their places, and the Duke lean over the front of the palco; then, as the bull hesitated and stopped, and they began to cheer, I handed back the capa, and, after bowing, went again among the espadas. Then the people christened me afresh--' El Cojo!' (The Cripple!)--and I had to come forward and bow again and again, and the Queen threw me a gold cigarette case. I have it still. There it is, . . . I never looked up at Clemencia, though I could see her always. She threw no rose to me that day. . . . Then the time came when I should kill the bull. I took the muleta in my left hand and went towards him with the sword uncovered in my right. I needed no trick. I held him with my will, and he looked up at me. 'Poor brute,' I thought, 'you are happier than I am.' And he bowed his head with the great, wondering, kindly eyes, and I struck straight through to the heart. On his knees he fell at my feet, and rolled over dead, almost without a quiver. As I hid my sword in the muleta and turned away, the people found their voices, 'Well done, The Cripple! Well done!' When I left the ring that day I left it as the first espada in Spain. So the Duke said, and he knew--none better. After one more Sunday the sports were over for the year, but that second Sunday I did better than the first, and I was engaged for the next season as first espada, with fifty thousand duros salary. Forty thousand I invested as the Duke advised--I have lived on the interest ever since--the other ten thousand I kept by me.
* * * * *
"I had resolved never to go near Clemencia again, and I kept my resolve for weeks. One day Juan came and told me Clemencia was suffering because of my absence. He said:
"'She's proud, you know, proud as the devil, and she won't come and see you or send to you, but she loves you. There's no doubt of that: she loves you. I know them, and I never saw a girl so gone on a man. Besides they're poor now, she and her mother; they've eaten up nearly all they had, and you're rich and could help them.'
"That made me think. I felt sure she didn't love me. That was plain enough. She hadn't even a good heart, or she would have come and cheered me up when I lay wounded--because of her obstinate folly. No! It wasn't worth while suffering any more on her account. That was clear. But if she needed me, if she were really poor? Oh, that I couldn't stand. I'd go to her. 'Are you sure?' I asked Juan, and when he said he was, I said:
"'Then I'll visit them to-morrow.'
"And on the next day I went. Clemencia received me as usual: she was too proud to notice my long absence, but the mother wanted to know why I had kept away from them so long. From that time on the mother seemed to like me greatly. I told her I was still sore--which was the truth--and I had had much to do.
"'Some lady fallen in love with you, I suppose,' said Clemencia half scoffingly--so that I could hardly believe she had wanted to see me.
"'No,' I answered, looking at her, 'one doesn't get love without seeking for it, sometimes not even then--when one's small and lame as I am.'
"Gradually the old relations established themselves again. But I had grown wiser, and watched her now with keen eyes as I had never done formerly. I found she had changed--in some subtle way had become different. She seemed kinder to me, but at the same time her character appeared to be even stronger than it had been. I remember noticing one peculiarity in her I had not remarked before. Her admiration of the physique of men was now keen and outspoken. When we went to the theatre (as we often did) I saw that the better-looking and more finely-formed actors had a great attraction for her. I had never noticed this in her before. In fact she had seemed to me to know nothing about virile beauty, beyond a girl's vague liking for men who were tall and strong. But now she looked at men critically. She had changed; that was certain. What was the cause? . . . I could not divine. Poor fool that I was! I didn't know then that good women seldom or never care much for mere bodily qualities in a man; the women who do are generally worthless. Now, too, she spoke well of the men of Southern Spain; when I first met her she professed to admire the women of the South, but to think little of the men. Now she admired the men, too; they were warmer-hearted, she said; had more love and passion in them, and were gentler with women than those of the North. Somehow I hoped that she referred to me, that her heart was beginning to plead for me, and I was very glad and proud, though it all seemed too good to be true.
"One day in October, when I called with Juan, we found them packing their things. They had to leave, they said, and take cheaper lodgings. Juan looked at me, and some way or other I got him to take Clemencia into another room. Then I spoke to the mother: Clemencia, I hoped, would soon be my wife; in any case I couldn't allow her to want for anything; I would bring a thousand duros the next day, and they must not think of leaving their comfortable apartments. The mother cried and said, I was good: 'God makes few such men,' and so forth. The next day I gave her the money, and it was arranged between us without saying anything to Clemencia. I remember about this time, in the early winter of that year, I began to see her faults more clearly, and I noticed that she had altered in many ways. Her temper had changed. It used to be equable though passionate. It had become uncertain and irritable. She had changed greatly. For now, she would let me kiss her without remonstrance, and sometimes almost as if she didn't notice the kiss, whereas before it used always to be a matter of importance. And when I asked her when she would marry me she would answer half-carelessly, 'Some time, I suppose,' as she used to do, but her manner was quite different. She even sighed once as she spoke. Certainly she had changed. What was the cause? I couldn't make it out, therefore I watched, not suspiciously, but she had grown a little strange to me--a sort of puzzle, since she had been so unkind when I lay wounded. And partly from this feeling, partly from my great love for her, I noticed everything. Still I urged her to marry me. I thought as soon as we were married, and she had a child to take care of and to love, it would be all right with both of us. Fool that I was!
"In April, which was fine, I remember, that year in Madrid--you know how cold it is away up there, and how keen the wind is; as the Madrileños say, ''twon't blow out a candle, but it'll kill a man'--Clemencia began to grow pale and nervous. I couldn't make her out; and so, more than ever, pity strengthening love in me, I urged her to tell me when she would marry me; and one day she turned to me, and I saw she was quite white as she said:
"'After the season, perhaps.'
"Then I was happy, and ceased to press her. Early in May the games began--my golden time. I had grown quite strong again, and was surer of myself than ever. Besides, I wanted to do something to deserve my great happiness. Therefore, on one of the first days when the Queen and the Duke and Clemencia were looking on, I killed the bull with the sword immediately after he entered the ring, and before he had been tired at all. From that day on the people seemed crazy about me. I couldn't walk in the streets without being cheered; a crowd followed me wherever I went; great nobles asked me to their houses, and their ladies made much of me. But I didn't care, for all the time Clemencia was kind, and so I was happy.
"One day suddenly she asked me why I didn't make Juan an espada. I told her I had offered him the first place in my cuadrilla; but he wouldn't accept it. She declared that it was natural of him to refuse when I had passed him in the race; but why didn't I go to the Duke and get him made an espada? I replied laughingly that the Duke didn't make men espadas, but God or their parents. Then her brows drew down, and she said she hadn't thought to find such mean jealousy in me. So I answered her seriously that I didn't believe Juan would succeed as an espada, or else I should do what I could to get him appointed. At once she came and put her arms on my shoulders, and said 'twas like me, and she would tell Juan; and after that I could do nothing but kiss her. A little later I asked Juan about it, and he told me he thought he could do the work at least as well as Girvalda, and if I got him the place, he would never forget my kindness. So I went to the Director and told him what I wished. At first he refused, saying Juan had no talent, he would only get killed. When I pressed him he said all the espadas were engaged, and made other such excuses. So at last I said I'd work no more unless he gave Juan a chance. Then he yielded after grumbling a great deal.
"Two Sundays later Juan entered the ring for the first time as an espada. He looked the part to perfection. Never was there a more splendid figure of a man, and he was radiant in silver and blue. His mother was in the box that day with Clemencia and her mother. Just before we all parted as the sports were about to begin, Clemencia drew me on one side, and said, 'You'll see that he succeeds, won't you?' And I replied, 'Yes, of course, I will. Trust me; it'll be all right.' And it was, though I don't think it would have been, if she hadn't spoken. I remembered my promise to her, and when I saw that the bull which Juan ought to kill was vicious, I told another espada to kill him, and so got Juan an easy bull, which I took care to have tired out before I told him the moment had come. Juan wasn't a coward--no! but he hadn't the peculiar nerve needed for the business. The matador's spirit should rise to the danger, and Juan's didn't rise. He was white, but determined to do his best. That I could see. So I said to him, 'Go on, man! Don't lose time, or he'll get his wind again. You're all right; I shall be near you as one of your cuadrilla.' And so I was, and if I hadn't been, Juan would have come to grief. Yes, he'd have come to grief that very first day.
"Naturally enough we spent the evening together. It was a real tertulia, Señora Alvareda said; but Clemencia sat silent with the great, dark eyes turned in upon her thoughts, and the niece and myself were nearly as quiet, while Juan talked for every one, not forgetting himself. As he had been depressed before the trial so now he was unduly exultant, forgetting altogether, as it seemed to me, not only his nervousness but also that it had taken him two strokes to kill the bull. His first attempt was a failure, and the second one, though it brought the bull to his knees, never reached his heart. But Juan was delighted and seemed never to weary of describing the bull and how he had struck him, his mother listening to him the while adoringly. It was past midnight when we parted from our friends; and Juan, as we returned to my rooms, would talk of nothing but the salary he expected to get. I was out of sorts; he had bragged so incessantly I had scarcely got a word with Clemencia, who could hardly find time to tell me she had a bad headache. Juan would come up with me; he wanted to know whether I'd go on the morrow to the Director to get him a permanent engagement. I got rid of him, at last, by saying I was tired to death, and it would look better to let the Director come and ask for his services. So at length we parted. After he left me I sat for some time wondering at Clemencia's paleness. She was growing thin too! And what thoughts had induced that rapt expression of face?
"Next morning I awoke late and had so much to do that I resolved to put off my visit to Clemencia till the afternoon, but in the meantime the Director spoke to me of Juan as rather a bungler, and when I defended him, agreed at last to engage him for the next four Sundays. This was a better result than I had expected, so as soon as I was free I made off to tell Juan the good news. I met his mother at the street door where she was talking with some women; she followed me into the patio saying Juan was not at home.
"'Never mind,' I replied carelessly, 'I have good news for him, so I'll go upstairs to his room and wait.'
"'Oh!' she said, 'you can't do that; you mustn't; Juan wouldn't like it.'
"Then I laughed outright. Juan wouldn't like it--oh no! It was amusing to say that when we had lived together like brothers for years, and had had no secrets from one another. But she persisted and grew strangely hot and excited. Then I thought to myself--there you are again; these women understand nothing. So I went away, telling her to send Juan to me as soon as he came in. At this she seemed hugely relieved and became voluble in excuses. In fact her manner altered so entirely that before I had gone fifty yards down the street, it forced me to wonder. Suddenly my wonder changed to suspicion. Juan wasn't out! Who was with him I mustn't see?
"As I stopped involuntarily, I saw a man on the other side of the street who bowed to me. I went across and said:
"'Friend, I am Montes, the matador. Do you own this house?'
"He answered that he did, and that every one in Madrid knew me.
"So I said, 'Lend me a room on your first-floor for an hour; cosa de mujer; (A lady's in the case.) you understand.'
"At once he led me up-stairs and showed me a room from the windows of which I could see the entrance to Juan's lodging. I thanked him, and when he left me I stood near the window and smoked and thought. What could it all mean? . . . Had Clemencia anything to do with Juan? She made me get him his trial as espada; charged me to take care of him. He was from the South, too, and she had grown to like Southern men: 'they were passionate and gentle with women.' Curses on her! Her paleness occurred to me, her fits of abstraction. As I thought, every memory fitted into its place, and what had been mysterious grew plain to me; but I wouldn't accept the evidence of reason. No! I'd wait and see. Then I'd--at once I grew quiet. But again the thoughts came-like the flies that plague the cattle in summer time--and again I brushed them aside, and again they returned.
"Suddenly I saw Juan's mother come into the street wearing altogether too careless an expression. She looked about at haphazard as if she expected someone. After a moment or two of this she slipped back into the patio with mystery in her sudden decision and haste. Then out came a form I knew well, and, with stately, even step, looking neither to the right hand nor the left, walked down the street. It was Clemencia, as my heart had told me it would be. I should have known her anywhere even had she not--just below the window where I was watching--put back her mantilla with a certain proud grace of movement which I had admired a hundred times. As she moved her head to feel that the mantilla draped her properly I saw her face; it was drawn and set like one fighting against pain. That made me smile with pleasure.
"Five minutes later Juan swung out of the doorway in the full costume of an espada--he seemed to sleep in it now--with a cigarette between his teeth. Then I grew sad and pitiful. We had been such friends. I had meant only good to him always. And he was such a fool! I understood it all now; knew, as if I had been told, that the intimacy between them dated from the time when I lay suffering in bed. Thinking me useless and never having had any real affection for me, Clemencia had then followed her inclination and tried to win Juan. She had succeeded easily enough, no doubt, but not in getting him to marry her. Later, she induced me to make Juan an eapada, hoping against hope that he'd marry her when his new position had made him rich. On the other hand he had set himself to cheat me because of the money I had given her mother, which relieved him from the necessity of helping them, and secondly, because it was only through my influence that he could hope to become an espada. Ignoble beasts! And then jealousy seized me as I thought of her admiration of handsome men, and at once I saw her in his arms. Forthwith pity, and sadness, and anger left me, and, as I thought of him swaggering past the window, I laughed aloud. Poor weak fools! I, too, could cheat.
"He had passed out of the street. I went downstairs and thanked the landlord for his kindness to me. 'For your good-nature,' I said, 'you must come and see me work from a box next Sunday. Ask for me, I won't forget.' And he thanked me with many words and said he had never missed a Sunday since he had first seen me play with the capa three years before. I laughed and nodded to him and went my way homewards, whither I knew Juan had gone before me.
"As I entered my room, he rose to meet me with a shadow as of doubt or fear upon him. But I laughed cheerfully, gaily enough to deceive even so finished an actor as he was, and told him the good news. 'Engaged,' I cried, slapping him on the shoulder. 'The Director engages you for four Sundays certain.' And that word 'certain' made me laugh louder still--jubilantly. Then afraid of overdoing my part, I sat quietly for some time and listened to his expressions of fatuous self-satisfaction. As he left me to go and trumpet the news from café to cafeé, I had to choke down my contempt for him by recalling that picture, by forcing myself to see them in each other's arms. Then I grew quiet again and went to call upon my betrothed.
"She was at home and received me as usual, but with more kindness than was her wont. 'She feels a little remorse at deceiving me,' I said to myself, reading her now as if her soul were an open book. I told her of Juan's engagement and she let slip 'I wish I had known that sooner!' But I did not appear to notice anything. It amused me now to see how shallow she was and how blind I had been. And then I played with her as she had often, doubtless, played with me. 'He will go far, will Juan,' I said, 'now that he has begun--very far, in a short time.' And within me I laughed at the double meaning as she turned startled eyes upon me. And then, 'His old loves will mourn for the distance which must soon separate him from them. Oh, yes, Juan will go far and leave them behind.' I saw a shade come upon her face, and, therefore, added: 'But no one will grudge him his success. He's so good-looking and good-tempered, and kind and true.' And then she burst into tears, and I went to her and asked as if suspiciously, 'Why, what's the matter? Clemencia!' Amid her sobs, she told me she didn't know, but she felt upset, out of sorts, nervous: she had a headache. 'Heartache,' I laughed to myself, and bade her go and lie down; rest would do her good; I'd come again on the morrow. As I turned to leave the room she called me back and put her arms round my neck and asked me to be patient with her; she was foolish, but she'd make it up to me yet. . . . And I comforted her, the poor, shallow fool, and went away.
"In some such fashion as this the days passed; each hour--now my eyes were opened--bringing me some fresh entertainment; for, in spite of their acting, I saw that none of them were happy. I knew everything. I guessed that Juan, loving his liberty, was advising Clemencia to make up to me, and I saw how badly she played her part. And all this had escaped me a few days before; I laughed at myself more contemptuously than at them. It interested me, too, to see that Liberata had grown suspicious. She no longer trusted Juan's protestations implicitly. Every now and then, with feminine bitterness, she thrust the knife of her own doubt and fear into Clemencia' s wound. 'Don't you think, Montes, Clemencia is getting pale and thin?' she'd ask; 'it is for love of you, you know. She should marry soon.' And all the while she cursed me in her heart for a fool, while I laughed to myself. The comedy was infinitely amusing to me, for now I held the cords in my hand, and knew I could drop the curtain and cut short the acting just when I liked. Clemencia's mother, too, would sometimes set to work to amuse me as she went about with eyes troubled, as if anxious for the future, and yet stomach-satisfied with the comforts of the present. She, too, thought it worth while, now and then, to befool me, when fear came upon her--between meals. That did not please me! When she tried to play with me, the inconceivable stupidity of my former blind trust became a torture to me. Juan's mother I saw but little of; yet I liked her. She was honest at least, and deceit was difficult to her. Juan was her idol; all he did was right in her eyes; it was not her fault that she couldn't see he was like a poisoned well. All these days Juan was friendly to me as usual, with scarcely a shade of the old condescension in his manner. He no longer showed envy by remarking upon my luck. Since he himself had been tested, he seemed to give me as much respect as his self-love could spare. Nor did he now boast, as he used to do, of his height and strength. Once, however, on the Friday evening, I think it was, he congratulated Clemencia on my love for her, and joked about our marriage. The time had come to drop the curtain and make an end.
"On the Saturday I went to the ring and ordered my palco to be filled with flowers. From there I went to the Duke of Medina Celi. He received me as always, with kindness, thought I looked ill, and asked me whether I felt the old wound still. 'No,' I replied, 'no, Señor Duque, and if I come to you now it is only to thank you once more for all your goodness to me.'
"And he said after a pause--I remember each word; for he meant well:
"'Montes, there's something very wrong.' And then, 'Montes, one should never adore a woman; they all want a master. My hairs have grown grey in learning that. . . . A woman, you see, may look well and yet be cold-hearted and--not good. But a man would be a fool to refuse nuts because one that looked all right was hollow.'
"'You are wise,' I said, 'Señor Duque! and I have been foolish. I hope it may be well with you always; but wisdom and folly come to the same end at last.'
"After I left him I went to Antonio and thanked him, and gave him a letter to be opened in a week. There were three enclosures in it--one for himself, one for the mother of Juan, and one for the mother of Clemencia, and each held three thousand duros. As they had cheated me for money, money they should have--with my contempt. Then I went back to the ring, and as I looked up to my palco and saw that the front of it was one bed of white and scarlet blossoms, I smiled. 'White for purity,' I said, 'and scarlet for blood, a fit show!' And I went home and slept like a child.
"Next day in the ring I killed two bulls, one on his first rush, and the other after the usual play. Then another espada worked, and then came the turn of Juan. As the bull stood panting I looked up at the palco. There they all were, Clemencia with hands clasped on the flowers and fixed, dilated eyes, her mother half asleep behind her. Next to Clemencia, the niece with flushed cheeks, and leaning on her shoulder his mother. Juan was much more nervous than he had been on the previous Sunday. As his bull came into the ring he asked me hurriedly: 'Do you think it's an easy one?' I told him carelessly that all bulls were easy and he seemed to grow more and more nervous. When the bull was ready for him he turned to me, passing his tongue feverishly over his dry lips.
"'You'll stand by me, won't you, Montes?'
"And I asked with a smile:
"'Shall I stand by you as you've stood by me?'
"'Yes, of course, we've always been friends.'
"'I shall be as true to you as you have been to me!' I said. And I moved to his right hand and looked at the bull. It was a good one; I couldn't have picked a better. In his eyes I saw courage that would never yield and hate that would strike in the death-throe, and I exulted and held his eyes with mine, and promised him revenge. While he bowed his horns to the muleta, he still looked at me and I at him; and as I felt that Juan had levelled his sword, and was on the point of striking, I raised my head with a sweep to the side, as if I had been the bull; and as I swung, so the brave bull swung too. And then--then all the ring swam round with me, and yet I had heard the shouting and seen the spectators spring to their feet. . . .
"I was in the street close to the Alvaredas'. The mother met me at the door; she was crying and the tears were running down her fat, greasy cheeks. She told me Clemencia had fainted and had been carried home, and Juan was dead--ripped open--and his mother distracted, and 'twas a pity, for he was so handsome and kind and good-natured, and her best dress was ruined, and los toros shouldn't be allowed, and--as I brushed past her in disgust--that Clemencia was in her room crying.
"I went up-stairs and entered the room. There she sat with her elbows on the table and her hair all round her face and down her back, and her fixed eyes stared at me. As I closed the door and folded my arms and looked at her, she rose, and her stare grew wild with surprise and horror, and then, almost without moving her lips, she said:
"'Holy Virgin! You did it! I see it in your face!'
"And my heart jumped against my arms for joy, and I said in the same slow whisper, imitating her:
"'Yes; I did it.'
"As I spoke she sprang forward with hate in her face, and poured out a stream of loathing and contempt on me. She vomited abuse as from her very soul: I was low and base and cowardly; I was--God knows what all. And he was handsome and kind, with a face like a king. . . . And I had thought she could love me, me, the ugly, little, lame cur while he was there. And she laughed. She'd never have let my lips touch her if it hadn't been that her mother liked me and to please him. And now I had killed him, the best friend I had. Oh, 'twas horrible! Then she struck her head with her fists and asked how God, God, God could allow me to kill a man whose finger was worth a thousand lives such as mine!
"'You mistake. You killed him. You made him an espada--you!'
"As I spoke her eyes grew fixed and her mouth opened, and she seemed to struggle to speak, but she only groaned--and fell face forwards on the floor.
"I turned and left the room as her mother entered it." After a long pause Montes went on:
"I heard afterwards that she died next morning in premature child-birth. I left Madrid that night and came here, where I have lived ever since, if this can be called living, . . . Yet at times now fairly content, save for one thing--'Remorse?' Yes!"--And the old man rose to his feet, while his great eyes blazing with passion held me--"Remorse! That I let the bull kill him.
"I should have torn his throat out with my own hands."
MY BOYHOOD and youth were passed in Brighton. I entered the College there as a boy of ten, and went through every class on the Modern side in the usual seven years. I only tell this to show that from the beginning my father intended me to go into business, and that I was not particularly clever at books. I loved football as much as I hated French, and I learned more of "fives" in half an hour than I knew of German after eight years' teaching. In fact, if it had not been for mathematics I should not have got my "remove" each year regularly as I managed to do. There were lots of fellows who could beat my head off at learning; but there were very few as strong or as good at games, and I'd have been Captain of the School if Wilson, who was one of the best "bats" of his day (he played afterwards for the "Gentlemen")' had not been a contemporary of mine. I was not bad-looking either. I do not mean I was handsome or anything of that sort; but I was tall and dark, and my features were fairly regular, and, as I had more of a moustache than almost any fellow in the school, I rather fancied myself.
After leaving Brighton College, my father got me a clerkship with Lawrence, Loewenthal and Co., stockbrokers, of Copthall Court. My father was rector of a Brighton parish, and knew Mr. Lawrence who came regularly to his church. The two old boys were great "pals," because, as my father said, they were both Protestants and not Catholics in disguise; but I always thought that my father's liking for Mr. Lawrence's port and Mr. Lawrence's respect for my father's birth and learning had more to do with their mutual esteem. However that may be, old Lawrence gave me a good start and I turned it to account. From the first I took to business. The school work at Latin and Greek had had no meaning for me; but in the City the tangible results of energy and skill were always before me, interesting me in spite of myself, and exciting me to do my best. And rivalry soon came to lend another spur. In Throgmorton Street my chief competitors were young German Jews, keen as mustard in everything relating to business, and preternaturally sharp in scenting personal profit. Their acuteness and boldness fascinated me: I went about with them a good deal, picked up conversational German without much effort, and soon learned from my mentors how fortunes were to be made. A little group of us pooled our savings, and began to speculate and, after a succession of gains and losses which about balanced themselves, turned our tens into hundreds over a "slump" in American rails. Our success was due to Waldstein--the Julius Waldstein who has since made a great fortune, and whom I should like to write about some day or other, as I look upon him as the first financial genius of the age. But now I must get on with my story. It was a remark I made after this lucky "deal" that drew Mr. Lawrence's attention to me and gave me my first step up in the house. I had gone into his private room with some transfers to be signed. He was reading a letter; in the middle of it he rang for the managing clerk, and asked him:
"How are Louisvilles going?"
"I'll see," was the reply; and in a minute or two old Simkins returned with:
"Steady at 48."
I could not help muttering "They'll be steadier at 35."
"What do you know about it?" asked Lawrence, with an air of amused surprise. His tone put me on my mettle, and I laid my reasons, or rather Waldstein's, before him, and he soon saw that I knew what I was talking about. A year afterwards, I, too, was a managing clerk and a member of the Stock Exchange; and from that time on have never found it very difficult to lay by something each year. It's curious, too, how the habit of saving grows on one--but I am forgetting my story.
As I became interested in my work and confident of success I wanted some one to talk to, to brag to if the truth must be told, and life, I have noticed, generally furnishes us with the opportunity of gratifying our desires. I still kept up the custom of going home to Brighton from Saturday till Monday. And one Sunday coming out of church my sister introduced me to some people whom I took to immediately, Mrs. and Miss Longden. Mabel Longden was tall and good-looking, but too dark for my taste. Still, we chummed at once, and perhaps got along together better than if we had fallen in love at first sight--a thing, by the way, which I have never believed in. Mrs. Longden was the widow of a major in the army, and lived in a small house in Kemp Town. She had only a hundred a year or so beyond her pension, and her one ambition in life was to keep herself and her two daughters like ladies. Her love of gentility was so passionate that when the rumour got about that she was the daughter of a small tradesman, everyone believed it. Mabel had a sister whom I have not mentioned yet, perhaps because I saw little of her for some time, and the little I saw did not interest me. She could not have been more than thirteen or fourteen years of age when I first met her, and she seemed to me an ordinary schoolgirl--all ribs and ankles. Her face was not even pretty; the eyes were all right, greyish and large, but the nose was inclined to be thick and the oval of the face was too narrow; the jaws seemed pinched in, and this peculiarity gave her an uncomfortably sharp look. She was a strange child in every way, and I did not like her. I remember the first time I really noticed her. I had been talking to Mabel about business; telling her how I had nabbed a fellow who had tried to cheat me, when suddenly I looked up and found Blanche gazing at me. As our eyes met she looked away quietly, and then got up and went out of the room, leaving me under the impression that she disapproved of me, or did not like what I had been saying. I put this down to "cheek" that deserved to be snubbed; but she never gave me the opportunity of snubbing her; she seemed rather to avoid me.
A few weeks later I was waiting one afternoon in the little parlour. Mabel had gone up to dress to go out with me, when suddenly Blanche came into the room with her cheeks aglow, crying, "Where's mother?" She had been skating, and her sparkling eyes and rich colour so improved her that I exclaimed, "Why, Blanche, you're quite pretty!" I suppose the astonishment in my voice was rather marked; for as I looked her eyes grew indignant; the colour in her cheeks flamed from pink to scarlet, and she turned and stalked out of the room with her chin in the air. An absurd child; she annoyed without interesting me, and I resolved to take no further notice of her.
It was easy to keep that resolution; for about this time my companionship with Mabel became close: we began to spoon in fact, and soon tried to believe ourselves very much in love with each other. But there was always something lacking in our intimacy, and now, looking back, I see that there was no real bond between us, and I begin to suspect that kisses often stand youth in lieu of sympathy. For even if I would, I really could not tell much of my flirtation with Mabel Longden. She was good to look at and good to be with, too uniformly sweet-tempered ever to have cared much about me, I imagine; but I know little of her true character and temperament; for love was not in her, love with its terrible need of self-betrayal. There were moments, it is true, when we seemed drawn together, moments when her eyes sought mine with timid abandonment, and when pride in her looks and pity of her weakness grew in me to unselfish tenderness; but there was no enduring strength in the feeling, no roots of life in it, and a few days' separation chilled us both. I am glad now to think that the play was pure comedy on both sides, though at the time I was often vaguely disappointed with our aloofness from one another, and tried by dwelling on her beauty to bring myself to the passionate ardour I ought to have felt for her. Mabel never really loved me at all; at the height of our intimacy I noticed that she used to lead me on to talk of the fortune I should make, and of the great house we should have and the horses and carriages, and it seems to me now, though I am half ashamed to say it, that it was some picture in her mind of dress and jewelry and distinction which made her try to like me. In any case the matter is not worth thinking about any longer, and I only mention it now because it belongs to my story.
I had known Mabel Longden for nearly two years, and for six or eight months had spent three-fourths of the time I passed in Brighton, with her, when I called early one Saturday evening and found that she was out. I was a little hurt--more in vanity than in affection, I think--and disappointed, which I took to be a proof of feeling, whereas it was merely the result of balked habit. True, I was later than usual, much later in fact; but then my father had kept me talking of my younger brother Tom, and I had bought tickets for the opera to make up for my late coming. I found it difficult to disguise my bad humour when I was told that Mabel had gone out for the evening and would probably not be home till eleven.
"You see," said Mrs. Longden apologetically, "you never sent her word, and I presume she thought you were not coming at all." While she was speaking, my eyes, wandering about in hesitation and annoyance, suddenly caught sight of an expression of indignant contempt on Blanche's face as she sat looking into the fire.
"But what am I to do with these tickets?" I asked, in helpless irritation. As I spoke Blanche kicked the fender and got up hastily, and an idea came into my head.
"Would you let me take Blanche?" and I turned to Mrs. Longden.
"Yes," said Mrs. Longden after a moment's hesitation, only to be noticed because of her unvarying suavity; "yes, certainly; and I think Blanche would enjoy it. She loves music."
"Well, Blanche?" I asked; but there was no need of an answer, for the girl's eyes were dancing.
"Oh," she said in a low voice, as if to excuse her joy, " it is 'Le Nozze di Figaro' isn't it? and I love music, and Titiens and Trebelli are both in it. Oh," and she drew in her breath with delight and clasped her hands, "it is kind of you!"
"What will you wear, dear?" asked her mother, and the girl's face fell so lugubriously that I could not help laughing. "Anything will do: we must start at once," I said, and bustled them both upstairs. I like music as much as most people, but I like, too, to talk between the acts, and my companion that night was more than silent; still Titiens was very good in spite of her bulk, and Trebelli the most enchanting page that was ever seen. When she sang "Voi che sapete" with that angelic voice of hers, I was carried off my feet.
As she finished the song my companion gave a queer, little, hysterical squeak that turned all eyes upon her. I saw that the child was overwrought; her face was pale and pinched, and the eyes blazing, so I whispered, "Let us go, Blanche, eh?"
"Oh, no!" she said. " No! it is too beautiful--please, please don't go."
"If we stay," I insisted, "you mustn't cry out; the people are all looking at you."
"What do the people matter?" she snapped, and then, pleadingly, "please, let me listen." Of course there was nothing more to be said, and we stayed to the end.
It was a fine night, and we walked home together, Blanche taking my arm.
"Are you glad I took you?" I asked, feeling that I should like her to thank me; she pressed my arm. But I wanted to talk, so I went on:
"You liked the play, didn't you?" That started her off; she was so excited with enthusiasm and admiration that she talked like one out of breath.
"The music," she said, "was divine; so beautiful, it hurt. I ache with it still. I can never, never forget it."
I laughed at her exaggerations, and brought her down to common sense, and then she began to attack the play.
"It was beastly," if you please; "all falsehood and deceit and cheating. I hope life isn't like that," she burst out, "if it is, I shall hate it. How could Mozart have given that lovely music to those horrid words and horrid people? How could he?"
There seemed to be some sense in what she said, but as I knew very little about it, I preferred to change the subject. And then the conversation died away.
When we reached her house I left her at the door. Somehow or other I did not feel inclined to go in and make up my little difference with Mabel. It seems to me now as if our estrangement began that evening; but, indeed, I did not trouble much about it, either then or later. And it was not any affection for Blanche that put Mabel out of my head: no, the child excited my curiosity, and that was all; she was evidently clever, and I liked that; but she was also intensely emotional, which seemed odd rather than pleasant to me.
For some weeks I did not call at the Longdens, and when I called I noticed that Mabel was affected in manner and speech. Her coldness I didn't mind; in fact, I felt relieved by it; but her graceful poses and little slang phrases of gentility seemed ridiculous to me. I wondered that I had never been disagreeably impressed by them before. I felt, too, that they were characteristic of her; she was affected and vain. I did not want to be alone with her, and though we spent several afternoons together I maintained my attitude of polite carelessness. Mabel scarcely seemed to notice my change of manner; she was often out when I called, and I fell upon the idea of asking Blanche to accompany us whenever Mabel happened to go out with me. At first Blanche used to refuse point blank; but as I returned to the charge she consented now and then, evidently in accord with her sister; indeed, Mabel often pressed her to say "Yes."
I remember one Saturday evening taking them both to dine at Mutton's. We had a private room and the best dinner the place could afford; for success and Waldstein's example were teaching me to be extravagant in such matters. The week had been a red-letter one for me; I had cleared a thousand pounds in it and naturally was cock-a-hoop, though I did not conceal from myself, or even from the Longdens, that my success was due to Waldstein. In fact, towards the end of the dinner I set his whole plan before them and gave all his reasons for the course he took. Before I had got half through the story it was impossible not to notice that Blanche was my only listener. Mabel made polite exclamations of attention at the proper places; but she was manifestly rather bored by the account, whereas Blanche asked about everything she didn't understand, and appeared to be really engrossed by the dramatic elements in the struggle for wealth. Piqued by Mabel's manner, I did my best to interest Blanche and succeeded, I suppose, for Mabel at length left the table and took to drumming on the window pane to show her impatience.
"I must go!" she exclaimed at last. "I expect Captain Burroughs to call this evening to try over a song with me, and I don't want to be late." After that there was nothing left for us but to put on our wraps and go. I had met Captain Burroughs at the Longdens more than once, but had not paid much attention to him. He was an ordinary-looking man, I thought, with nothing particular about him except that he was well set-up and had large blue eyes. Now as Mabel spoke his image came before me, and I understood that he was good-looking, that she thought him exceedingly attractive, and had more than consoled herself with his courtship for my inattention. Perhaps even she had begun to go her own way before I had thought of going mine. Yes, she had; a hundred little signs unnoticed at the time assured me that she had. The discovery relieved and pleased me greatly; I grew excited and felt quite cordial to her. She was a fine girl after all, and deserved a handsome husband like Burroughs. Was it this elation or the wine I had drunk that made me act as I did? I don't know; the bare facts are not flattering to me, but I'll set them down. Mabel went out of the room first, as if in a hurry to get to her Captain; she disappeared just as I took up Blanche's jacket to help her on with it. As the young girl swung round before me I noticed for the first time that she had a figure, a figure that promised to be a very pretty one, and after putting on her jacket I could not help taking her slender waist in my hands. Of course I said something to cover my action: "Go along, let us catch Mabel," or something of that sort; but the words died on my lips, for she turned abruptly and faced me with an imperative: "Don't!"
"Go along," I repeated awkwardly, "you're only a child."
She moved away haughtily, without a word, and followed her sister downstairs.
The cab was waiting for us, and as soon as we were seated in it I forced a conversation with Mabel on the subject of her song and Captain Burroughs' voice.
After this incident Blanche avoided me persistently. At first, feeling rather uncomfortable, I was not at all sorry to get out of a complete explanation. But as the feeling of shame wore off I began to contrive occasions for being alone with her. "I don't care for her," I used to say to myself, "but I don't want her to think me a howling cad." But though I did not care for her she was in my thoughts a good deal, and knew how to pique my vanity at least by continually avoiding me. She was more successful in this than she could have been a few months before; for now I never went to the house without finding Burroughs in the little parlour on the ground floor, filling the place I had formerly occupied beside Mabel. In fact, about this time Mrs. Longden confided to me that the pair were engaged, and when I congratulated Mabel I noticed that she was prettier and less affected than I had ever imagined she could be. Love is like youth for hiding faults and setting off merits. After this event my chances of meeting Blanche alone became too slight to be worth the risk of disturbing the lovers, and so I gave up going to the house at all regularly. Mere chance soon helped me where purpose had failed. One afternoon late, as I reached the house I found the servant at the door, who told me that every one was out except Miss Blanche. I was very glad to hear it. Blanche was in the parlour alone, and as I entered she stood up hastily, and returned my greeting with a cold "I'll see if mother or Mabel is in." But I stopped in front of the door, and said:
"Won't you speak to me, Blanche? If I've offended you, I beg your pardon. Forgive me, and let us be friends again." I caught myself speaking with an intensity far greater than I had thought of using; and, as her face did not relax and she kept her eyes obstinately bent on the ground, I began again with an extraordinary eagerness:
"Why will you bear malice? I had no idea you could be so cross. Just remember what a great talk we had that night, and forgive me." Still the same silence and little downcast face, scarcely to be seen in the gathering shadows. I began again: "Really, Blanche, you ought to be ashamed of yourself. It is childish to sulk so: yes, childish," I repeated, for she had looked up at last. "If you were older you would know that every woman forgives when the man apologizes and asks for pardon." She looked me straight in the face, but said nothing. Had I excited myself by my own pleading, or what was it? I don't know; but I began again in a different tone:
"Upon my word, if you won't speak, I'll treat you like the little girl you are, and kiss you into a good temper."
"You daren't," she said, and stood rigidly.
"You mustn't dare me," I cried, and I threw my left arm round her waist, and held her face to mine with my right hand. At first she struggled desperately, and writhed so that I could hardly hold her. Then gradually I overcame her struggles, and kissed her again and again. I shall never be able to describe the strange, keen pleasure I took in the touch of her lips; nor the intimate, intense delight it gave me to hold her tender, panting form against my breast in the darkness. Whilst I was still embracing and kissing her, the idea came to me that her resistance had become merely formal; that she was not trying to avoid my lips. At once conscience smote me, and I felt that I had been a brute. No sort of excuse for me--none. I pulled myself together, and stopped kissing her. Then I began pleading again.
"Little Blanche, have you forgiven me? Are we friends again? Won't you speak to me now?" And I laid my cheek to hers: the girl's face was wet, and I realized with a pang that she was crying silently. This was worse than I had feared. I was genuinely grieved.
"Oh, Blanche," I exclaimed, "if you knew how sorry I am! Please don't cry; I didn't mean to hurt you; I'm so sorry--what am I to do? I'll never, never forgive myself." As I began to speak she slipped from my arms and went to the door.
"Blanche," I went on--for I couldn't let her go like that--"you must hate me to leave me so; won't you say you'll forgive me, please?" She paused, holding the door ajar; then I heard her say in a little subdued voice,
"There's nothing to forgive," and then "It wasn't your fault," and the door closed behind her quickly, leaving me in the dark, half penitent and half in doubt as to her meaning, though the tone of her voice had partially reassured me. After she left me I seemed to be possessed by a demon of unrest. Up and down the parade I tramped reproaching myself for what I had done. I had no business to kiss her. It was a shame. I felt very clearly that kisses meant infinitely more to her than they did to her sister. What was I to do? I didn't love her, and yet I had never kissed anyone with such passion. She was an inscrutable mystery to me. Why had she cried? Did she dislike me? Had she grown tired of struggling, or merely affected to struggle, wishing all the time to be kissed? This flattering hypothesis seemed to be true; but, if true, why had she begun to cry? And if she had cried out of vexation, why did she say that there was nothing to forgive, and that it wasn't my fault? I couldn't read the riddle; and it was too fascinating to leave unread. I wanted to return to the house to see her if but for a moment, but that went against my pride. I resolved to write to her. The girl was a mystery, and the mystery had an attraction for me that I could not account for nor explain. That night I went up to my little bedroom and sat down to write to her. I soon found that the task was exceedingly difficult. At one moment I was writing as if I loved her, and the next I was warning her that I did not love her yet. At length I began to quiet myself: "Why write at all?" But I couldn't leave her without a word, and so I decided at last to write just a brief note, saying how grieved I should be to hurt or offend her in any way, and declaring that I would call next Saturday afternoon as soon as I reached Brighton. I began "Dear little Blanche," and ended up with "I shall think of you all through the week; yours, Will Rutherford."
The week passed much as other weeks had passed, with this difference however, that from Monday on I began to look forward more and more eagerly to seeing Blanche again. I did not write this to her in the meantime, partly out of prudence, partly out of the wish to tell it to her when we met. As soon as I reached Brighton on the Saturday I hurried off to the Longdens. The mother met me in the parlour.
"Where's Blanche?" I asked, gaily.
"Blanche!" repeated Mrs. Longden, with a slight tone of surprise; "she has gone into the country to stay with some friends."
"Into the country," I muttered, in confusion; "where to?"
"Near Winchester," came the calm reply.
"But did she leave no message for me--no letter?"
"Not that I'm aware of," replied Mrs. Longden, smilingly; "I didn't even know that you took interest enough in each other to write or send messages.
And that was all. I left the house more bewildered than ever; but my pride was up in arms, and I resolved to put Blanche out of my mind completely. That seemed easy enough at first; but with time it became increasingly difficult. The mystery puzzled me more and more, and the abrupt parting piqued my curiosity. As the weeks passed and I recalled all our meetings and what she had said, I began to see that she was very intelligent and very ingenuous. At length I couldn't stand it any longer; so I wrote to her, telling her how constantly I thought of her, and begging her to let me see her. I took the letter to Mrs. Longden, who promised to forward it, with a request to Blanche to answer it, and next week Mrs. Longden showed me the end of a letter Blanche had written to her: "I received the letter you sent me; please tell him there's no answer. I have nothing to say."
I had gone as far as my pride would allow. From that day I never went near the Longdens, but gave myself up to work, and gradually the fascination of business took hold of me once again. Four or five years later I married and bought a little country place near Winchester. A year or so afterwards I took my wife to a ball given by the officers of the Hussars, who were quartered in the Cathedral city. I knew a good many people, and, as I liked dancing, prepared to enjoy myself; feeling sure that my wife would be well taken care of. After the second or third dance, a Captain Wolfe come up to me and said, "You're in luck, my friend; I'm going to introduce you to the belle of the ball." With some laughing protestation I followed him and he presented me by simply saying "This is Mr. Rutherford."
The girl certainly deserved his praise; she was one of those bewitchingly pretty girls one sees now and then in England and nowhere else in the world. I cannot describe her except by saying that she was above the middle height and of a very perfect lissom figure, with the most dazzingly beautiful face I have ever seen.
"Pardon me," I said, "but Captain Wolfe forgot to tell me your name."
"Don't you know it?" she asked, while her blue eyes danced with amusement.
"No," I replied, "how should I? I have never seen you before."
I spoke with absolute conviction.
"What a bad compliment--to forget me and deny me! Aren't you ashamed of yourself?" and she pouted adorably.
"The best of compliments," I retorted warmly; "the certainty that if I had ever seen you I could never have forgotten you."
She swept me a low courtesy, and then, with sudden gravity, "Allow me to introduce myself, Miss Blanche Longden that was, now Miss Longden."
I was dumbfounded. The grace, the charm, the self-possession, I could understand, even the fine figure: but not the change in face. Blanche's nose had been rather heavy and shapeless, and now it was daintily cut; the pointed chin was rounded, the oval of the face had filled out, the eyes had surely grown darker, the complexion that had been muddy was now like exquisite porcelain; but even these extraordinary changes did not account for her entrancing loveliness. I was lost in wonder.
She laughed in a pleased way at my embarrassment:
"You don't recognize me even now?"
"No," I confessed ruefully. "You are altogether changed: even your voice has improved beyond recognition." .
"Let us sit down," she said, "and talk, if you have this dance free;" and I sat down, careless whether I was free or not. At last I should get the mystery solved. What did we talk about? At first the usual things. Her sister, I learned, was married and had three children. She was in India now with her husband, and Mrs. Longden, in Brittany, was taking care of the little ones. At last I put my question:
"Why did you go away from Brighton, and never answer my letters?"
"I did answer them. Mother told me she showed you my answer."
"That was no answer. You have no idea how disappointed and hurt I was; how I grieved over your silence." I could not help being much more intense with this girl than I had any right to be. "But tell me why you left me so, and I'll forgive you."
She seemed to consider, and then:
"I don't know; there was nothing to be said;" and then, "You are married, aren't you?" I nodded; she went on: "I want to know your wife; you must introduce me."
"With pleasure," I replied: "but my answer; you will explain the mystery now."
"But you must have understood?"
"No; I did not, I assure you, and even now I can't make out why you acted as you did."
"How strange!" And she laughed, looking away from me. On reflection afterwards, it seemed to me that this laughter of hers was a trifle forced; but I may be mistaken. At the time I didn't remark the false note. How strange!" she repeated; and then, with sudden gravity, "Shall I dot the 'is ' and cross the 'ts' for you, and confess? I wonder will it be good for my soul. The truth is very simple, and yet very hard to tell. I loved you. Oh! as a child,